This was a recount of what I experienced in Coron, diving sunken Japanese World War II ships. I wrote this for a travel competition that I did not win. I have also submitted this to a couple of other companies but since I haven't heard anything, I might as well put it up for everyone!
There
comes a certain depth when direction loses meaning. On all sides, a vague,
muted blue fills with swirling white flakes. The lifeline is a rusted metal
rope that stretches into nothingness on both ends. Heightening the isolation is
the restricted vision of the facemask. The gurgling regulator rhythmically interrupts
the distant roaring that fills my ears. An enveloping seclusion always
accompanies dives and creates intimacy among the divers. Penetrating deeper,
the indistinct outlines of a monstrous being emerge. The pooled darkness forms
into the metal rails of the deck of a ship. Gigantic, blurred towers erupt from
the surface of the deck and the hull curves into obscure shadow.
Bulbous
anemones with squiggly tentacles sprout from every surface. Schools of
shimmering fish stream by, indifferent to my presence. Multi-faceted fish like
jewels coyly hide behind arching fans of blood red coral. There is a dark
opening, a beckoning gap in the side of the hull. I enter a caged space that constricts
into a narrow tunnel filled with jutting metallic edges, punctuated with hard
swirls of coral. Mindful of the oxygen tank, I navigate through a vertical
obstacle course. Weaving from side to side and threading through grate
openings, I work my way deeper into the ship. Only a little light creeps in
from behind me, providing just enough illumination to make out the various
spongy, riotous strings of yellow and red tendrils reaching out to touch me.
Encroaching
grates looming from above feel like a video game. Unless you take care to avoid
them, they will temporarily trap your dull silver air tank. Use your hands to
back away from the grate, move lower to dislodge the tank, and continue onwards.
After what feels like an interminable length of time, a wide opening appears, beyond
which is pure black. I plunge forward and am immediately swept into a stream of
light that filters through a massive hole in the side of the ship. The edges of
the hole are warped and contorted into craggy points blown inward.
The
light provided from this cyclopean opening illuminates the giant boilers in
front of me. The room extends so far down that for the first time since
entering the ship, I feel dwarfed by its size.
So much unobstructed space is exhilarating. All of the squat tubes, and
what look to be the blades of very large fans, are encrusted with a green,
writhing mass of life. I see a striped scorpion fish drift by with its
tell-tale poisonous spines aloft and extended, rather like an elaborate
headdress. Reveling in this spectacular view, I reluctantly make my way back to
the lifeline. Grasping gently onto the rusted cable, I ascend, watching as the preserved
ship disappears again into the haze of deep blue. After I break the surface, I
am assaulted with the sounds of the ocean crashing against our boat. Removing
the regulator and breathing in the salty tang of the sea, I paddle my way
toward the dropped ladder. Having come from below, it is strange to think that
unseen through the wall of water lays the Olympia Maru, a Japanese
ship sunk in the Philippines during World War II.
The hull of the ship that you can snorkel |
You do a really wonderful job in capturing the disorientation that a deep dive can bring, nitrogen narcosis aside. I loved your phrase, "cyclopean opening." Also, I appreciated the craftsmanship of your prose, the resolution coming only at the end when we learn just what it was (and where) you were doing. Good job. I look forward to reading more of your work over the coming days and weeks.
ReplyDeleteWow, you're making me blush! =) I appreciate the feedback and I am very glad you like it. Have you ever gone diving in the Philippines? If not, you really should!
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